![]() ![]() Mulligan recalled the surprising experience of earning an Oscar nomination for that role. ![]() ![]() When presented with the first quote, “I don’t want to lose my virginity to a piece of fruit,” Mulligan immediately named “An Education,” the 2009 drama in which she plays a high schooler in a relationship with an older man. As part of Variety Know Their Lines, presented by Lifetime, the Oscar-nominee and “Maestro” star accurately recalled lines from her iconic films, ranging from “The Great Gatsby” to “Promising Young Woman.” And it is a chilling, chilling song in some ways." Holmes was a huge fan of this particular move: "Placed in that context, it's as much as I've admired, I think, a needle drop in quite a long time.Carey Mulligan has an excellent memory. As critic Linda Holmes pointed out on the NPR podcast Pop Culture Happy Hour, "it's basically a woman explaining why you have to love men no matter how bad they are because sometimes they're great and you just sort of have to put it all aside and love them anyway. ![]() The song, which isn't included on the soundtrack release, is extremely important. However, what you might not catch is the song that plays while Joe and Al burn Cassie's body: "Something Wonderful," a track from Rodgers & Hammerstein's classic musical The King & I. by burning Cassie in a field where they believe nobody will ever find her. Shocked, Al must turn to his friend Joe (Max Greenfield) to try and dispose of her body, which they do in the cruelest way possible. Because you can be allegorical, you can make things somewhat heightened."Īfter Cassie tries to get her ultimate revenge on Al during his bachelor party by carving Nina's name into his stomach, he physically overtakes her, killing her in the process (in a truly horrifying two and a half minute scene that refuses to cut away from Cassie's murder). That's why so much of filmmaking is a unique art form really. I just felt that giving her that strength in the beginning made sense and then going through it we got halos and wings and all sorts of little things behind her, above her that all have these pointers. It's got two things Cassie has: power and vulnerability. "For me there is no position more powerful and vulnerable than that, you know. "So the first time we see her she is sort of splayed out and kind of drunk but it is almost like a crucifixion," she continued. So for me it was important that avenging angel was never overtly stated but always implied, at least visibly." Certainly a kind of journey in threes that you get in those stories. It has the simplicity actually, I hope, of a parable or a Biblical story in a sort of morality tales we were told growing up. "And it is sort of Biblical without it sounding like overblown. "It's one of the things that early on was on my mind that Cassie is an avenging angel," Fennell said. Here are some things you'll only notice throughout Promising Young Woman's twisting, turning story if you watch it more than once. and realizes she can finally get vengeance. Along the way, she learns that Nina's main attacker, Al Monroe (Chris Lowell) is getting married. In the aftermath, Cassie wants revenge for her friend, pretending to be drunk at bars and luring "nice guys" home with her before she reveals that she's entirely sober just as they're about to take advantage of her falsely inebriated state. However, when Carrie's best friend Nina - who is never seen on screen - is brutally assaulted at a party, both of their lives change, and it's strongly implied that Nina takes her own life after her attackers aren't held responsible. Writer-director Emerald Fennell's directorial debut, which earned the Crown actress a nomination for Best Directing and Best Original Screenplay, tells the dark story of Cassie (Carey Mulligan), once known as a "promising young woman" who was set to become a doctor. ![]()
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